Futuristic Schooling

Painting (332) For Senior Secondary XIIth(12th)​

Syllabus Painting Senior Secondary NIOS

Syllabus In English Medium

Course Structure Of Painting

Mode of Evaluation

Duration in hours

 

Marks

 
         

Theory

  

30

   
         

Practical (Three Papers)

       
         

Part I : Object Drawing

  

20

     

?  Composition and Drawing

  

8

     

?

Treatment of Media

  

8

     

?  Overall impression

  

4

     
         

Part II : Painting and Composition

6

20

     

?  Compositional arrangement including

        
 

emphasis on the subject expressed

  

8

     

?  Treatment of media

  

8

 

70

   

?  Overall impression

  

4

     
         

Part III : Folk Art as Motif

1

 

15

     

?  Design and Layout

  

10

     

?  Overall impression

  

5

     
         

Portfolio Submission

  

15

     

?

Complete work

  

5

     

?

Quality of work

Self paced

 

5

     

?  Presentation

  

5

     
          
 

Total

 

 

100

   
          

Contents

Syllabus

L-1 Art of Indus Valley Civilization

L-2 Art From Maurya To Gupta Period

L-3 Ajanta Caves

L-4 Temple Art And Sculpture

L-5 Indian Bronzes

L-6 Indo- Islamic Architecture

L-7 Mughal School

L-8 Rajasthani School Of Painting

L-9 Pahari School Of Miniature Painting

L-10 Deccan School Of Painting

L-11 Company School

L-12 Pioneers Of Contemporary Art In India

L-13 Contemprary Art Of India

L-14 Folk Painting

Painting Practical Syllabus 

L-1 Object Drawing

L-2 Nature Study

L-3 Fundamentals Of Painting

L-4 Composition

L-5 Sketching From Life And Memory

L-6 Folk Art As Motif

Painting (Practical Guidelines)

List Of Practical

  1. Study And Draw Basic Shapes And Volume Of Objects In Individual And Group
  2. Differentiate between the man made and natural objects.
  3. Use of light and Shade to achieve volume and depth in terms of perspective.
  4. Study of rhythm, harmony, balance and texture.
  5. Application of primary, secondary and complementary cool and warm colours according to the need of the composition.
  6. Arrangement of forms in pictorial space after assimilation of elements studied.
  7. Create composition to express feelings and emotions.
  8. Documentaion of visual experience, capture the movement, mood and the characteristics with instant perception.
  9. Manifest forms from stored perception of studies of visual experience in the memory.
  10. Study the traditional folk motifs.
  11. Study of methods and materials of folk art.
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